George Julian Harney was one of the half-dozen most important leaders of Chartism. This selection from the Newcastle Weekly Chronicle is the first book to reprint any of his journalism.Harney is a key figure in the history of English radicalism. His long life witnessed the Chartist movement from 1830s through to the beginnings of socialism from the 1880s. He wrote about literature, foreign affairs and politics, subjects that should interest anyone with an interest in Victorian Studies.In his youth Harney was an admirer of the most radical figures of the French Revolution. The youngest member of the first Chartist Convention, he was an advocate of physical-force Chartism in 1838-9. His interest to historians has tended to be as the friend of Marx and Engels, the publisher of the first English translation of the Communist Manifesto and leader, with Ernest Jones, of the Chartist left in the early 1850s. Yet his finest period had been 1843-50, when he worked on the Northern Star: for five years he was an outstanding editor of a great newspaper. Almost everyone will be astonished to discover that not only did he live until as late as 1897, but also that in the 1890s he was producing a weekly column for the Newcastle Weekly Chronicle edited by W.E. Adams, another old Chartist and his younger admirer. The column was superbly written, politically challenging, and vigorously polymathic.This is the first selection of Harney's writings to be published.

This collection discusses both the history and theory of anarchism and in particular examines italian anarchism, the relationship between Marxism and anarchism, the influence of Kropotkin, new social movements and the anarchist theory of history.

George Julian Harney was one of the half-dozen most important leaders of Chartism. This selection from the Newcastle Weekly Chronicle is the first book to reprint any of his journalism. Harney is a key figure in the history of English radicalism. His long life witnessed the Chartist movement from 1830s through to the beginnings of socialism from the 1880s. He wrote about literature, foreign affairs and politics, subjects that should interest anyone with an interest in Victorian Studies. In his youth Harney was an admirer of the most radical figures of the French Revolution. The youngest member of the first Chartist Convention, he was an advocate of physical-force Chartism in 1838-9. His interest to historians has tended to be as the friend of Marx and Engels, the publisher of the first English translation of the Communist Manifesto and leader, with Ernest Jones, of the Chartist left in the early 1850s. Yet his finest period had been 1843-50, when he worked on the Northern Star: for five years he was an outstanding editor of a great newspaper. Almost everyone will be astonished to discover that not only did he live until as late as 1897, but also that in the 1890s he was producing a weekly column for the Newcastle Weekly Chronicle edited by W.E. Adams, another old Chartist and his younger admirer. The column was superbly written, politically challenging, and vigorously polymathic. This is the first selection of Harney's writings to be published.

This book, the first full-length study of metropolitan Chartism, provides extensive new material for the 1840s and establishes the regional and national importance of the London movement throughout this decade. After an opening section which considers the economic and social structure of early-Victorian London, and provides an occupational breakdown of Chartists, Dr Goodway turns to the three main components of the metropolitan movement: its organized form; the crowd; and the trades. The development of London Chartism is correlated to economic fluctuations, and, after the nationally significant failure of London to respond in 1838-9, 1842 is seen as a peak in terms of conventional organization, and 1848 as the high point of turbulence and revolutionary potential. The section concludes with an exposition of the insurrectionary plans of 1848.

From William Morris to Oscar Wilde and George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In this detailed study, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as both a cultural history of left-libertarian thought in Britain and an application of that history to current politics. The author argues that a recovered anarchist tradition could--and should--be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world.

Nicolas Walter helped create the surge of political dissent that came to Britain in the 1960s and 70s. For forty years he was a contributor to the anarchist press, principally Freedom and its companion periodicals Anarchy and The Raven. He was active in many groups including the "Spies for Peace" and the Rationalist Press Association, editing The New Humanist. This volume selects from his extensive writings on anarchist history and theory. This book is a virtual history of anarchism, reaching from its prehistory in the American Revolution to the work of Murray Bookchin and Colin Ward

Colin Ward discusses the ups and downs of the anarchist movement during the last fifty years, including the many famous characters who were anarchists, or associated with the movement, including Sir Herbert Read, Alex Comfort, Marie Louise Berneri, Emma Goldman and George Orwell.

This well illustrated book celebrates every aspect of the wide-ranging achievements of William Morris - writer, designer, cultural critic, revolutionary socialist - with particular emphasis on their relevance to our own times. The book makes available up-to-date Morris scholarship in accessible form. Written by a group of international scholars who took part in a conference marking the centenary of the death of Morris in 1896, the book has sections devoted to Morris and Literature (covering texts from The Earthly Paradise to the late romances); Morris, the Arts & Crafts and the New World (including discussions of his influence in Rhode Island, Boston, Ontario and New Zealand); and Morris, Gender and Politics (with fresh consideration of his relation to Victorian ideas of manliness and of the particular qualities of his anti-statist politics). The latter section also draws attention to a hitherto unknown play by Morris's daughter May and concludes with an account of his biographer, the late E.P. Thompson.